{"id":3872,"date":"2015-07-04T23:51:50","date_gmt":"2015-07-04T22:51:50","guid":{"rendered":"http:\/\/www.mrexhibition.net\/wp_mimi\/?p=3872"},"modified":"2015-07-04T23:51:50","modified_gmt":"2015-07-04T22:51:50","slug":"la-soutenance-du-30-juin-2015-espace-deleuze-de-luniversite-paris-8-exposition-de-soi-a-lepoque-mobileliquide","status":"publish","type":"post","link":"http:\/\/www.mrexhibition.net\/wp_mimi\/?p=3872","title":{"rendered":"La soutenance du 30 juin 2015, Espace Deleuze de l’Universit\u00e9 Paris 8, \u00ab\u00a0Exposition de soi \u00e0 l’\u00e9poque mobile\/liquide\u00a0\u00bb"},"content":{"rendered":"

La soutenance qui a eu lieu le 30 juin \u00e0 l’Universit\u00e9 Paris 8.Merci \u00e0 tous ceux qui sont venus pour me soutenir ! J’ach\u00e8ve une fois ces longues recherches durant 5 ans. Je suis tr\u00e8s honor\u00e9e d’avoir travaill\u00e9 sous la direction de M. Jean-Louis Boissier, mon directeur de th\u00e8se, qui m’a soutenue et encourag\u00e9e \u00e9norm\u00e9ment, et d’avoir eu la participation des membres du jury, M. Olivier Lussac, M. Hiroshi Yoshioka et M. Mario Perniola, \u00e0 cette soutenance. Maintenant, je souhaite vivement contribuer au d\u00e9veloppement et \u00e0 l’\u00e9volution des pratiques artistiques \u00e0 propos de \u00ab\u00a0l’exposition de soi\u00a0\u00bb (comme c’\u00e9tait mon sujet de recherche) par divers moyens \u00e9ventuels !<\/span><\/p>\n

Titre de th\u00e8se : Exposition de soi \u00e0 l’\u00e9poque mobile\/liquide<\/span>
\n Membre du jury : Monsieur Jean-Louis BOISSIER (Directeur de recherche)<\/span>
\n Monsieur Olivier LUSSAC<\/span>
\n Monsieur Hiroshi YOSHIOKA<\/span>
\n Monsieur Mario PERNIOLA<\/span><\/p>\n

R\u00e9sultat : Tr\u00e8s honorable avec les f\u00e9licitations du jury<\/span><\/p>\n

R\u00e9sum\u00e9 (Fr) : La r\u00e9alisation de l\u2019expression artistique n\u2019a jamais \u00e9t\u00e9 si \u00ab facile \u00bb qu\u2019aujourd\u2019hui, et les enjeux de la cr\u00e9ation n\u2019ont jamais \u00e9t\u00e9 si \u00ab banals \u00bb. Il existe divers moyens pour satisfaire nos d\u00e9sirs expressifs, tels des moyens traditionnels et contemporains. Malgr\u00e9 cette facilit\u00e9, nous avons peu de possibilit\u00e9 pour devenir un artiste c\u00e9l\u00e8bre. Nous sommes aujourd\u2019hui bien conscients de cette situation difficile jusqu\u2019\u00e0 ce que nous soyons m\u00eame parfois d\u00e9sesp\u00e9r\u00e9s vis-\u00e0-vis de ce nouvel environnement m\u00e9diatis\u00e9.<\/span>
\n Cependant, selon les recherches arch\u00e9ologiques, cette situation n\u2019est pas nouvelle ni particuli\u00e8re. L\u2019art est depuis toujours un moyen possible pour surmonter des probl\u00e8mes personnels. En cherchant une exp\u00e9rience partageable avec les autres, nous b\u00e9n\u00e9ficions de l\u2019utilit\u00e9 de l\u2019art pour sublimer la difficult\u00e9 de la vie.<\/span>
\n Le monde caract\u00e9ris\u00e9 par sa nature \u00abmobile\u00bb et \u00abliquide\u00bb, donne naissance \u00e0 l\u2019art contemporain qui met souvent en lumi\u00e8re la question de l\u2019intimit\u00e9. Sa signification est en fait li\u00e9e \u00e0 l\u2019universalit\u00e9, qui semble pourtant s\u2019\u00e9loigner de la notion d\u2019\u00e9go\u00efsme et d\u2019individualit\u00e9.<\/span>
\n Cette th\u00e8se a pour but de consid\u00e9rer l\u2019exposition de soi \u00ab plurielle \u00bb pratiqu\u00e9e \u00e0 l\u2019\u00e9poque \u00ab mobile \u00bb et \u00ab liquide \u00bb, afin de comprendre la v\u00e9ritable signification de l\u2019acte expressif. \u00c0 travers l\u2019observation des r\u00e9alisations artistiques telles la photographie, la mode, la litt\u00e9rature et d\u2019autres cr\u00e9ations, je fonde une \u00e9tude sur l\u2019esth\u00e9tique de l\u2019exposition de soi non seulement par les artistes mais aussi par les amateurs, pour interpr\u00e9ter son utilit\u00e9 des points de vue s\u00e9miologique, ph\u00e9nom\u00e9nologique, arch\u00e9ologique, anthropologique et esth\u00e9tique.<\/span><\/p>\n

R\u00e9sum\u00e9 (En) : Artistic expression has never been easier to carry out than today. Engaging in creation has even become a mundane, commonplace undertaking. We have a vast array of mediums available to us to satisfy our desire for self-representation, including traditional and modern medias and advanced technologies. Despite this ease of access to platforms for self- expression, creators have no chance of becoming a celebrated artist. Facing this truth during our everyday interactions online and with modern media leads us to feel rather disheartened with today’s media environment.<\/span>
\n However, from historical point of view, today’s context of creative work and exposition is neither new nor unique. Art has always been one possible way to process or overcome personal problems. In our search for shared experiences with others, art is useful in easing life’s difficulties.<\/span>
\n Today\u2019s world, characterized by its \u00ab\u00a0fluid\u00a0\u00bb and \u201cmobile\u201d nature, is giving birth to a contemporary art that often highlights the question of intimacy. Its significance is universal, while being distant from notions of egoism and individualism.<\/span>
\n This thesis aims to consider \u201cplural\u201d self-representations practiced in our \u201cfluid\u201d and \u201cmobile\u201d world, in order to better understand the importance of expressive acts. Through the careful study of artistic activities such as photography, fashion, literature and other domains, I present a study on self-representation and exposition, found in both professional and amateur creative activities, to interpret how self-representation and exposition is useful and even essential, from semiological, phenomenological, archeological, anthropological and aesthetic points of view.<\/span><\/p>\n

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La soutenance qui a eu lieu le 30 juin \u00e0 l’Universit\u00e9 Paris 8.Merci \u00e0 tous ceux qui sont venus pour me soutenir ! J’ach\u00e8ve une fois ces longues recherches durant 5 ans. Je suis tr\u00e8s honor\u00e9e d’avoir travaill\u00e9 sous la direction de M. Jean-Louis Boissier, mon directeur de th\u00e8se, qui m’a soutenue et encourag\u00e9e \u00e9norm\u00e9ment, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[822,815,727,823,824,825,826,817],"_links":{"self":[{"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/posts\/3872"}],"collection":[{"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3872"}],"version-history":[{"count":3,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/posts\/3872\/revisions"}],"predecessor-version":[{"id":3882,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=\/wp\/v2\/posts\/3872\/revisions\/3882"}],"wp:attachment":[{"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3872"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mrexhibition.net\/wp_mimi\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}